[et_pb_section bb_built=\u00bb1″][et_pb_row][et_pb_column type=\u00bb4_4″][et_pb_text _builder_version=\u00bb3.17.1″]<\/p>\n
Ciudad Rodrigo, 2 de Septiembre de 2019<\/p>\n
El comit\u00e9 de selecci\u00f3n del Festival Internacional de Cine Educativo y Espiritual de Ciudad Rodrigo \u2013 FICEE da a conocer las pel\u00edculas seleccionadas a participar en la novena edici\u00f3n del festival.<\/p>\n
De las 830 pel\u00edculas inscritas en esta edici\u00f3n, el comit\u00e9 de selecci\u00f3n del festival ha elegido un total de 33 pel\u00edculas de 70 nacionalidades:<\/p>\n
Alemania, Argentina, Australia, Azerbaiy\u00e1n, Banglad\u00e9s, B\u00e9lgica, Bolivia, Bosnia y Herzegovina, Brasil, Bulgaria, Canad\u00e1, Chile, China, Colombia, Costa Rica, Croacia, Dinamarca, Ecuador, Egipto, Emiratos \u00c1rabes Unidos, Eslovenia, Espa\u00f1a, Estados Unidos, Estonia, Finlandia, Francia, Georgia, Grecia, India, Indonesia, Iraq, Irlanda, Israel, Italia, Jap\u00f3n, Kosovo, Letonia, L\u00edbano, Macedonia, Malta, Marruecos, M\u00e9xico, Nueva Zelanda, Pa\u00edses bajos, Palestina, Paraguay, Per\u00fa, Polinesia Francesa, Polonia, Portugal, Reino Unido, Rep. \u00c1rabe Siria, Rep. Bolivariana de Venezuela, Rep. De Moldavia, Rep. Demo. Del Congo, Rep. Islam. De ir\u00e1n, Rep. Korea, Rep. Unida de Tanzania, Rep. Checa, Rep. Dominicana, Rumania, Rusia, Serbia, Singapur, Suiza, Taiw\u00e1n, T\u00fanez, Turqu\u00eda, Ucrania, Uzbekist\u00e1n.<\/p>\n
Estas pel\u00edculas ser\u00e1n proyectadas durante la novena edici\u00f3n del festival, 29 de las cuales competir\u00e1n en la secci\u00f3n oficial.<\/p>\n
Las pel\u00edculas seleccionadas han sido:<\/p>\n
<\/p>\n
El festival se celebrar\u00e1 del 8 al 16 de Noviembre de 2019<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\u00bb1_4″][et_pb_text _builder_version=\u00bb3.17.1″]<\/p>\n
Cactus<\/em><\/strong>, Espa\u00f1a, de Alberto Gastesi.<\/p>\n The Graffiti<\/em><\/strong>, Francia, de Laplace Aur\u00e9lien.<\/p>\n Perfectly Natural<\/em><\/strong>, EEUU y Espa\u00f1a, de Victor Alonso Berbel.<\/p>\n Pas\u00e2rea<\/em><\/strong>, Espa\u00f1a, de Mikaela Bruce.<\/p>\n Tomorrow<\/em><\/strong>, Espa\u00f1a, de Andrew Tarbet.<\/p>\n Los Hombres De Verdad No Lloran<\/em><\/strong>, Espa\u00f1a, de Lucas Cast\u00e1n.<\/p>\n Coplillas Por Bombay<\/em><\/strong>, Espa\u00f1a, de Jaume Miranda.<\/p>\n El Prenauta<\/em><\/strong>, Espa\u00f1a, de El\u00edas P\u00e9rez.<\/p>\n Les Miserables<\/em><\/strong>, Francia, de Ladj Ly.<\/p>\n Les Enfants Du Rivage<\/em><\/strong>, B\u00e9lgica, de Amelia Nanni.<\/p>\n La Tercera Parte<\/em><\/strong>, Espa\u00f1a, de Alicia Albares.<\/p>\n Arthur Rambo<\/em><\/strong>, Francia, de Levil Guillaume.<\/p>\n Cong\u00e9nita<\/em><\/strong>, Espa\u00f1a, de Polo Men\u00e1rguez.<\/p>\n Mi querido bal\u00f3n<\/em><\/strong>, Espa\u00f1a, Gaizka Urresti<\/p>\n Cocodrilo<\/em><\/strong>, Espa\u00f1a, de Gorka Le\u00f3n<\/p>\n Cerdita<\/em><\/strong>, Espa\u00f1a, Carlota Pereda<\/p>\n El vendedor de sue\u00f1os<\/em><\/strong>, largometraje. Brasil, Jayme Monjardim<\/p>\n Contemplaci\u00f3n<\/em><\/strong>, largometraje .United Kindom, de Peter Middleton, James Spinney<\/p>\n Una Mujer Feliz<\/em><\/strong>, Espa\u00f1a, To\u00f1i Mart\u00edn Zorrilla. Secci\u00f3n paralela.<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4″][et_pb_text _builder_version=\u00bb3.17.1″]<\/p>\n Un D\u00eda En El Parque, <\/em><\/strong>Espa\u00f1a, de Diego Porral.<\/p>\n El rayo capaz de acabar con el hambre<\/em><\/strong>, Espa\u00f1a, de Juan Jos\u00e9 Zanoletty<\/p>\n Ian, una historia que nos movilizar\u00e1<\/em><\/strong>, Argentina, de Abel Goldfarb<\/p>\n The Theory Of Sunset<\/em><\/strong>, Rusia, de Roman Sokolov<\/p>\n Psicolapse<\/em><\/strong>, Espa\u00f1a, de Arnau G\u00f2dia Montesinos<\/p>\n Las aventuras del peque\u00f1o Col\u00f3n<\/em><\/strong>, largometraje. Brasil, de Rodrigo Gava<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4″][et_pb_text _builder_version=\u00bb3.17.1″]<\/p>\n 2001 Destellos En La Oscuridad<\/em><\/strong>, Espa\u00f1a, de Pedro Gonz\u00e1lez Berm\u00fadez.<\/p>\n Todos Los Caminos<\/em><\/strong>, largometraje. Espa\u00f1a, de Paola Garc\u00eda Costas.<\/p>\n Donde Nos Lleve El Viento<\/em><\/strong>, Espa\u00f1a, de J.A. Moreno Amador.<\/p>\n The european dream: Serbia<\/em><\/strong>, Espa\u00f1a, de Jaime Alekos.<\/p>\n Mujeres de cine<\/em><\/strong>, Espa\u00f1a, de Carmen Perona. Secci\u00f3n paralela.<\/em><\/p>\n Inflexi\u00f3n,<\/em><\/strong> Argentina, Victoria Hidrovo. Secci\u00f3n paralela.<\/em><\/p>\n La voces de nunca<\/em><\/strong>, Colombia, Bernardo Restrepo. Secci\u00f3n paralela.<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_4″][et_pb_text _builder_version=\u00bb3.17.1″]<\/p>\n Paris you got me<\/em><\/strong>, Alemania, Julie Boehm<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section bb_built=\u00bb1″][et_pb_row][et_pb_column type=\u00bb4_4″][et_pb_text _builder_version=\u00bb3.17.1″] Ciudad Rodrigo, 2 de Septiembre de 2019 El comit\u00e9 de selecci\u00f3n del Festival Internacional de Cine Educativo y Espiritual de Ciudad Rodrigo \u2013 FICEE da a conocer las pel\u00edculas seleccionadas a participar en la novena edici\u00f3n del festival. De las 830 pel\u00edculas inscritas en esta edici\u00f3n, el comit\u00e9 de selecci\u00f3n del […]<\/p>\n","protected":false},"author":1,"featured_media":67,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/festivalficcion.com\/ediciones-anteriores\/wp-json\/wp\/v2\/posts\/109"}],"collection":[{"href":"https:\/\/festivalficcion.com\/ediciones-anteriores\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/festivalficcion.com\/ediciones-anteriores\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/festivalficcion.com\/ediciones-anteriores\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivalficcion.com\/ediciones-anteriores\/wp-json\/wp\/v2\/comments?post=109"}],"version-history":[{"count":4,"href":"https:\/\/festivalficcion.com\/ediciones-anteriores\/wp-json\/wp\/v2\/posts\/109\/revisions"}],"predecessor-version":[{"id":1007,"href":"https:\/\/festivalficcion.com\/ediciones-anteriores\/wp-json\/wp\/v2\/posts\/109\/revisions\/1007"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/festivalficcion.com\/ediciones-anteriores\/wp-json\/wp\/v2\/media\/67"}],"wp:attachment":[{"href":"https:\/\/festivalficcion.com\/ediciones-anteriores\/wp-json\/wp\/v2\/media?parent=109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/festivalficcion.com\/ediciones-anteriores\/wp-json\/wp\/v2\/categories?post=109"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/festivalficcion.com\/ediciones-anteriores\/wp-json\/wp\/v2\/tags?post=109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Animaci\u00f3n: <\/u><\/strong><\/h3>\n
Documentales:<\/u><\/strong><\/h3>\n
Experimental: <\/u><\/strong><\/h3>\n